Resuscitation of Old Projects

One of the recurring themes of my digital life has been bringing old projects back to life. One of the manifestations of this was “Gilbert the Goldfish,” which began as a short story and ended up as a web-based story with my scanned illustrations. You can see it here. (I guess the Flash animated version doesn’t work anymore with the current technology.)

Speaking of short stories, I wrote one entitled “American Dream Girl,” about a 21-year old version of me running into a high school classmate at a bar. While “me” was maturing at college, the friend became a prostitute after a failed marriage. (While the weekend visits to the hotel bar for drinks and live music are based in reality, this encounter came entirely from my imagination.) Recently, I turned the story’s prose into a script and am working on turning it into a short video with AI graphics and voice acting.

Incidentally, “my” friend who accompanies me in the bar is based on Walt Kruger, a real-life friend who I hung out with during that time. We met in Young Adult Ministry (a religious organization for some, a social group for others), and hung out a lot. We went to movies (Animal House and Tootsie among them, as I recall), but lost touch with each other after he got his girlfriend, Colleen, pregnant, so they married. (Part of the story which would make for a good short film—when they announced she was pregnant, Colleen’s father, a Protestant, asked why they didn’t use protection, thus horrifying his Catholic wife who was opposed to birth control.)

While at Berkeley, I did my first intensive cutting and editing of a Shakespeare play: Love’s Labour’s Lost. Prepared for a lunchtime series that required a maximum of 50 minutes, I managed to get it down to 52 minutes. A few years later, I submitted it to a publisher who wasn’t interested unless I sent them a paraphrased version. But that’s not really Shakespeare then, is it? I held on to it until this year when I hope to direct it in a local park here in Latrobe, PA.

Finally, I am still trying to locate the audio file I recorded for “EOE,” a short sketch about Bellephon Omega applying for a job but being insulted by the HR person for being a mutant. I think it’s perfect for AI but I really want to find the original recording. Why re-invent the wheel when there’s one in storage?

Published by stephenschrum

Associate Professor of Theatre Arts; interested in virtual worlds, playwrighting, and filmmaking. Now creating a podcast called "Audio Chimera."

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